An Apple patent (number 7895045) for bitrate constrained variable bitrate audio encoding has appeared at the US Patent & Trademark Office. A hybrid audio encoding technique incorporates both ABR, or ...

Before I started editing Streaming Media, I wrote for a magazine called EMedia, which covered the optical disc industry. That magazine is long gone, but one of the central points of its coverage ...

After three years or so in gestation, per-title encoding is becoming a required feature on most encoding platforms, whether in-house software or SaaS cloud providers. In this buyers' guide, we'll ...

Now that we've looked at how to playback HEVC-encoded files, it's time to create them. There are a whole collection of tools and utilities that can encode HEVC, but in this article I'm going to focus ...

Since you already have everything lossless, it doesn't really make much difference. I would do them at 128 or 160, and then re-do any at a higher bitrate if you can hear artifacts on those tracks ...

I have a TV channel that runs at 720/60fps progressive. Much of the content is 24fps sourced, so I usually do an Inverse Telecine (IVTC) to get get back to 24 FPS, when I compress for storage. Just ...

Netflix has recently announced that they now stream optimized shot-based encoding content for 4K. When I read that news title I though to myself: “Well, that’s great! Sounds good but… what exactly ...